Lauren is an overachieving teenage babysitter for the Allens, who leave her in charge of their adorable young children, while they head out for some much-needed alone time. Unbeknownst to them, Lauren, overworked and overstressed, is getting a little extra help from a new prescription medication. The meds come on strong, twisting Lauren's appearance and causing an icy change in her demeanor, but the powerful medication also helps her get all of her duties done in a quick and efficient manner. Everything seems normal until Mr. and Mrs. Allen return home to discover the horrifying result of Lauren's brutal efficiency. Side Effect is a blood-curdling tale of science gone wrong in a pill-popping culture where the cure is more deadly than the disease.

Winner of the International Emmy Award for Best Telenovela, "Side by Side" focuses on two women of different origins and social classes. The brave Isabel, daughter of a former slave and in love with the capoeira player Zé Maria; and Laura, descendant from a wealthy family and destined to an undesired marriage to Edgar. In addition to an unshakable friendship, the two share the same purpose in life: the conquest of freedom in the conservative society of Rio de Janeiro of the early 20th century.

Daryl Zero is a private investigator and—along with his assistant, Steve Arlo—he solves impossible crimes and puzzles. Although Daryl's a master investigator, he doesn't know what to do with himself when he's not working; he has no social skills, writes bad music and drives Steve crazy.

Terrorists steal the only cure to a deadly virus that has been unleashed in Africa.

Two blue collar workers form an unlikely partnership of selling illegal prescription pills to make ends meet while trying to avoid disastrous mishaps.

The diver plunges into the sea (death), but also into life (eternity), where he will rediscover the primordial waters of life. This quote from Pierre Lévêque about the illustrations in Tomb of the Diver resonated when I watched the viral video of a young man who was executed in Iran in 2020. A few days after his death, the grainy mobile video of him was released. He ran in slow motion and dove into a pool. Like an act of preservation, I filmed the video with a super 8 camera. The camera became a tool of magnifying and grieving. Three years later, men and women still chanted his name in protests. Like the waves after a dive, injustice has a ripple effect.

The diver plunges into the sea (death), but also into life (eternity), where he will rediscover the primordial waters of life. This quote from Pierre Lévêque about the illustrations in Tomb of the Diver resonated when I watched the viral video of a young man who was executed in Iran in 2020. A few days after his death, the grainy mobile video of him was released. He ran in slow motion and dove into a pool. Like an act of preservation, I filmed the video with a super 8 camera. The camera became a tool of magnifying and grieving. Three years later, men and women still chanted his name in protests. Like the waves after a dive, injustice has a ripple effect.

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

Medical researcher Frank, his fiancee Zoe and their team have achieved the impossible: they have found a way to revive the dead. After a successful, but unsanctioned, experiment on a lifeless animal, they are ready to make their work public. However, when their dean learns what they've done, he shuts them down. Zoe is killed during an attempt to recreate the experiment, leading Frank to test the process on her. Zoe is revived -- but something evil is within her.